Empieza a leer el libro "Juego de Tronos" online, de George RR Martin. También puedes descargar éste libro en formato pdf. Descubre la historia de un joven que vive sumergido en la miseria de su propio ser debido a su incapacidad de amar y al profundo rechazo social y familiar que lo ha. Juego de Tronos es una serie de televisión de drama y fantasía creada para la HBO por David Benioff y D. Es una adaptación de la saga de novelas de. Para empezar a leer la Dragonlance hay que tener en cuenta dos lineas importantes de argumento: las sagas principales y las sagas secundarias o de expansión. Orden de las sagas de la Dragonlance. La Estanter. Con motivo del incicio del mes espero que esta nueva entrada en el blog os ayude a leer y entender esta fant. Preparaos porque nos vamos a adentrar en mundo de Krynn. Para empezar a leer la Dragonlance hay que tener en cuenta dos lineas importantes de argumento: las sagas principales y las sagas secundarias o de expansi. Las sagas principales son la que cuentan la historia principal del mundo de Krynn y de los personajes protagonistas (y sus descendientes) que aparecen por primera vez en Las Cr. Las sagas secundarias son un conjunto de trilog. Los gemelos m. Raistlin emprender. Ambos, acompa. Nadie sab qu. Pero tal vez sea el . Por este motivo, en la samblea de los dioses, Paladine debe ceder ante las peticiones de Gilean y de la Reina de la Oscuridad para afrontar unidos la lucha contra Caos. Mientras, en la posada El . Pero el joven llega acompa. Sagas Secundarias o de Expansi. Multitud de detalles sobre todos aquellos que desempe. Nuevas e ins. Relaciones que ser. Seremos testigos de los or. Veremos a Sturm aprender el concepto de honor y la tempestuosa relaci. Y emprenderemos un peligroso viaje junto a todos ellos hacia Mithas el reino de los Minotauros, para derrotar al Amo de la Noche. La Forja de un T. En estos cuatro libros se narran todos aquellos sucesos que forjaron el alma del que ser. Pero de momento, junto a Caramon, los dos hermanos se preparan para afrontar los tiempos dif. Lo que no saben es que tendr. Y contra su propia hermana. Espero que os se . Que las tres lunas os acompa. Leer Juego de Tronos Online. Juego de Tronos es el primer libro de la Saga Canci. Martin. RESE. En el castillo que gobierna esta majestuosa tierra del norte, plagada de inmensos bosques, los Stark, una de las casas nobles de Poniente, se ven inmersos en un conflicto que desatara una serie de eventos que pondr. Y si bien la magia da lugar a los conflictos b. Combinando la fantas. Martin abraza sin complejos un g. Si el arte de la novela pasa por introducir al lector en la mente de personajes de ficci. En el continente de Poniente, donde las estaciones duran d. Sin embargo, las pugnas por el poder entre las principales casas nobiliarias salen cada vez m. Todo hace pensar que el equilibrio en Poniente est. Martin. De nombre George Raymond Richard Martin, es licenciado en Periodismo por la Northwestern University en Evanston, obteniendo un master tambi. Durante varios a. Desde 1. 99. 6, se dedica en exclusiva a la literatura. Ha recibido en varias ocasiones los premios Hugo, Nebula, Locus e Ignotus, y tambi.
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The Producers - Asian. Wiki. User Rating. Current user rating: 8. You need to enable Java. Script to vote. Profile. Drama: The Producers (English title). Revised romanization: Peurodyusa. Hangul: . On his his first day on the job, Seung- Chan goes through training, but has a difficult time with PD Ye- Jin (Kong Hyo- Jin). Ye- Jin is the producer of music program . Joon- Mo is the producer of variety show . She tries to contact the owner of the parked car, but fails. Ye- Jin then argues with popular singer Cindy (IU) over her stage outfit. Kim Possible Season 1 Episode 7 Part 2 On Dailymotion EnriqueHe hears rumors that his show is going to be cancelled because of low ratings. After a long and hard day, PD Ye- Jin is finally able to track down the owner of the expensive car. Surprisingly, the owner of the expensive car is Seung- Chan. The Corbomite Maneuver (episode) . Spock is in command while Captain. Kirk submits to a quarterly physical. Lieutenant. Sulu announces contact with an object approaching the Enterprise at light speed. Evasive maneuvers and deflectors are ineffective. Spock sounds the alarm, then countermands it as the object begins to slow down. Chiefnavigator Lieutenant Dave Bailey reacts emotionally to the danger. Somewhere Over the Cuckoo's Nest. Season 10, Episode 2. March 22, 2015. The girls have a hard time dealing with Kris getting back into the dating scene after 25 years. I used to like Apryl last season, i thought she was perfect for Omari, cool, sweet, quiet and didn’t take bs, but this episode totally turned me off.I think she. Watch Yu-Gi-Oh Season 1 episodes online with help from SideReel. We connect you to show links, recaps, reviews, news and more. Get up to the minute entertainment news, celebrity interviews, celeb videos, photos, movies, TV, music news and pop culture on ABCNews.com. Heirs: Episode 1 by javabeans. Finally—and I mean FINALLY—we see the premiere of the most-hyped drama of the year, Heirs: He Who Wears the Crown, Endure Its. When the Enterprise cannot steer around the object, Sulu declares red alert and calls Kirk to the bridge. Kirk scolds Mc. Coy for not notifying him, but Mc. Coy is pleased to have completed an examination on the usually unwilling Kirk. If I jumped every time a light came on around here, I'd end up talking to myself. Spock has a dry retort, asking Bailey if he has considered having it removed, and Sulu good- naturedly teases Bailey of the risks of . Scott cannot say what propels it or allows it to sense, and react to, the movements of the Enterprise. Mc. Coy has no analysis of it either. Attempts to communicate with it fail. Bailey says, . Spock concludes that the object is either some kind of buoy – or . Bailey misinterprets the talk as an order to prepare phasers and starts to issue an order to the phaser gun crew. When countermanded, he begins to defend his action. The course is executed, at speeds increasing from 0. Enterprise, begins to emit lethal radiation, and closes with the ship. When it is within 5. Kirk orders fire from the main phasers, with Bailey hesitating until Kirk repeats himself. The object is destroyed, but the Enterprise is rocked hard by the resulting shock wave. Kirk resolves to proceed, as contact with alien life is the mission. But he orders the phaser crew and engineering to conduct drills, calling their reaction to the attack too sluggish. Bailey supervises the drills. Bailey had, in fact, been slow to respond to orders during the crises, and Sulu covered for him. Bailey's emotionalism on the intercom during the drills, the doctor suggested, support his doubts as to Bailey's fitness to have been promoted so quickly, but Kirk brushes off these expressed doubts. Spock reports a rating of 9. Kirk presses them for 1. He faces two additional annoyances: the fact that Mc. Coy has put him on a salad diet to lose weight, and that someone has assigned him an attractive female yeoman, Janice Rand, who had just delivered the salad. But Sulu countermands the order, as a new object is approaching. It is spherical and much larger than the first one: about a mile in diameter. Sulu reports . A hard tractor beam grabs the Enterprise. The engines overload and Kirk orders a full stop and orders phaser crews to readiness. Kirk orders Bailey to decrease the main viewscreen magnification; Sulu does so when Bailey doesn't hear him, or perhaps froze at his station. Kirk orders Uhura to open a hailing frequency and starts to offer a greeting, but Bailey detects a message on the navigation beam. Balok claims the Enterprise and her crew have shown their hostile intention by ignoring the cube; a warning buoy and furthermore by destroying it, and says the Fesarius is now considering their . Balok refuses further communication from the Enterprise and says he will destroy her if she makes any move. When Kirk launches a recorder marker, Balok destroys it and declares that the Enterprise must be destroyed, giving the crew ten minutes to make death preparations, assuming they have . Spock, claiming curiosity, obtains a fearsome visual image of the face of Balok, who declares that the Enterprise cannot escape. Kirk orders him relieved of duty and for Dr. Mc. Coy to escort him to his quarters. Kirk, not immune to gravity of the situation, pleads with Balok about their non- hostile intentions, but Balok ignores them. Kirk balks at Spock's recommendation and the Vulcan nearly admits that he's sorry, but, quickly rephrases himself by saying he cannot think of a more logical alternative. Mc. Coy uses the lull in activity to ask to record the incident with Bailey as fatigue, but Kirk rebuffs him. Mc. Coy disagrees with Kirk, saying that the incident is a direct result of Kirk putting too much pressure on the young navigator and threatens to challenge Kirk's actions in his report, pointing out, . Now that's no bluff! As Kirk explains, the corbomite aboard the Enterprise creates a reverse reaction of any destructive energy that touches the ship, destroying the attacker. He further details that since Starfleet began using corbomite two centuries earlier, no attacking vessel has survived and dares Balok to open fire. With seconds to live, Bailey returns to the bridge, calmer, and requests permission to resume his duties, which Kirk grants. Sulu counts down the final seconds to destruction, but, as the timer reaches zero, the Fesarius does not attack. The crew exhales, apparently safe, with even Spock admitting that the game of poker sounds rather interesting. Balok claims that the destruction of the Enterprise has been delayed, with the intent to relent in their destruction if they can have proof of the corbomite device. Kirk, his back to the wall, hails back that Balok's request has been denied and lets him sweat it out. A small pilot vessel emerges from the Fesarius, which disengages, as Balok announces that it has been decided that he shall direct the crew to a planet of the First Federation, where the crew will be interred and the Enterprise will be destroyed. He grabs the Enterprise with a tractor beam and declares that any attempt to escape or destroy his ship will result in the instant destruction of the Starfleet vessel. The impulse engines are engaged, but quickly begin to overheat. Kirk orders more power applied. As the strain increases, the Enterprise begins to shudder, but Balok's ship begins to show signs of stress, as well. Spock warns that the engines are close to exploding, but Kirk is relentless and orders more thrust applied against the tractor beam. As the crew weathers the horrific ride, Bailey finally announces that they're breaking free. The Enterprise veers away from Balok, whose ship seemingly becomes disabled. Uhura intercepts it, reading that his engines are down and his life support systems are failing. She determines that the signal is so weak, it's doubtful if the mothership could have heard it. Kirk orders an intercept course, with the intent to rescue Balok. Mc. Coy is skeptical, but, Kirk proclaims that the mission of the Enterprise is to seek out alien life and that's what he intends to do, friendly or not. He orders Mc. Coy and Bailey to accompany him on the landing party over, but also orders Mr. Spock to remain behind, just in case Balok is baiting a trap for them. The real Balok warmly welcomes them aboard, appearing as a small child. He offers them some tranya, a beverage, as a sign of goodwill. He explains that the puppet is simply an alter- ego he used in order to frighten the Enterprise, as he was attempting to determine their real intentions, believing that even their memory banks could have been deceptive. He also reveals he has no crew aboard; controlling the entire Fesarius starship from his small pilot vessel. However, he laments on how lonely his voyages are, as he misses company and would welcome even an alien aboard for an exchange of information and cultures. Balok suggests one of Kirk's crew remain for a period of time. Bailey immediately volunteers and Kirk agrees, explaining that while Bailey might not represent the best of Starfleet, it would be an extraordinary learning experience for him and would allow Balok to learn more about Humans by learning about their fallibility. Balok laughs, amused by the notion and that he agrees with Kirk's rationale. Offering the trio a tour of his vessel, he also remarks how much alike he and Kirk are, as they are both very much proud of their ships. On our third day of star mapping, an unexplained cubical object blocked our vessel's path. On the bridge, Mr. Spock immediately ordered general alert. My location: sickbay. Quarterly physical check. Star maps reveal no indication of habitable planets nearby. Origin and purpose of the cube still unknown. We've been here, held motionless, for eighteen hours. The cube has been destroyed. Ship's damage minor, but my next decision major. Probe on ahead or turn back? The Enterprise is in tow; to this point no resistance has been offered. My plan: a show of resignation. Balok's tractor beam has to be a heavy drain of power on a small ship. Question: Will he grow careless? It means I happen to have a Human thing called an adrenaline gland. Have you considered having it removed? How a solid cube can sense us, block us, move when we move – it beats me. That's my report. Mc. Coy, I've heard you say that man is ultimately superior to any mechanical device. Her name's the Enterprise.? End of watch?!? IT'S THE END OF EVERYTHING!!! What are you, robots?!? Wound- up toy soldiers?!? Don't you know when you're dying?!? Watch and regulations and orders.. I'll state that I warned you about Bailey's condition. Now that's no bluff. Do you know the game? If it has none to you, then attack us now. We grow annoyed at your foolishness. In some manner he was reminiscent of my father. She considered herself a very fortunate Earth woman. I'll make plenty of mistakes. And I'd get a better officer in return. Both proud of our ships. This would give the object roughly the same density as Radon gas at STP. Dave Bailey was the communications officer, and he did not . There were no flypaper, chess or poker analogies – Kirk simply decided to bluff Balok out of the blue. Kirk orders Bailey to coordinate drills with engineering, and Bailey says on two distinct occasions ! Come on phaser crews, let's get with it! He could either be referring to an engine room in the saucer on deck 5 or a separate . It is placed two centuries after mankind's early space explorations, or roughly the late 2. Also, in Star Trek: The Motion Picture, the V'ger probe is said to be roughly two- hundred years old, placing the film in the same era. Impro. Zero – La Nazione 2. Associazione Mosaico. Istana budaya, adifashla, putra lrt, actors studio, apuke, kayveas, mp3 melayu, polyphonic ringtones, mp3, kuala lumpur banjir, siti. Hotwapi.Com is a mobile toplist for mobile web sites. We have over 2000 registered sites. Download the free trial version below to get started. Double-click the downloaded file to install the software. Masih banyak lagi » Account Options. Masuk; Setelan penelusuran. Teken ons gastenboek : Sure to come here once more! You have not yet voted on this site! 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Crack Do Desperados Wanted Dead Or Alive Playlist LiveCivilization IV - Wikipedia. Sid Meier's Civilization IV is a turn- based strategycomputer game and the fourth installment of the Civilization series. It was designed by Soren Johnson under the direction of Sid Meier and his video game development studio Firaxis Games. It was released in North America, Europe, and Australia, between October 2. November 4, 2. 00. Civilization IV uses the 4. X empire- building model for turn- based strategy gameplay, in which the player's main objective is to construct a civilization from limited initial resources. Most standard full- length games start the player with a settler unit and/or a city unit in the year 4. BC. As with other games in the series, there are by default five objectives the player can pursue in order to finish the game: conquering all other civilizations, controlling a supermajority of the game world's land and population, building and sending the first sleeper ship to the Alpha Centauri star system, increasing the . If the time limit for the game is reached and none of the previous goals has been fulfilled by any players including game AI players, the civilization with the highest total game score is declared winner. A large departure from earlier Civilization games is a new graphics engine created from scratch, based on the Gamebryo engine by Numerical Design Limited (NDL). The game has received critical acclaim and was hailed as an exemplary product of one of the leading video game producers in the turn- based strategy genre. Civilization IV has sold 3 million copies and won multiple awards, including several Game of the Year awards. In addition to this, Firaxis Games has also released two major expansions, Civilization IV: Warlords and Civilization IV: Beyond the Sword, as well as the standalone game. Civilization IV: Colonization, which were all combined in 2. Sid Meier's Civilization IV: The Complete Edition. Pre-Civilisation : Free Online Action Games from AddictingGames. Gameplay. The game can be played in multiple modes: as a single player facing against one or more computer- controlled opponents, or through online multiplayer games. Each map space has a terrain type, such as plains, tundra, or desert, that affects the available resources players can extract from their environments and the movements of certain units through that terrain. The player is then given a total of 1. When the game starts, however, it chooses random locations to place across a predefined square grid map. Like other strategy games, Civilization IV has a fog of war feature, in which unexplored territory remains darkened and territories without any units stationed on its designated square is shaded with darker colors. Each unit can gain experience through combat, which later translates into experience points that the player can use to assign military units new bonuses. Any number of units can be stacked onto a single space and move as a group if so assigned, but the overall combat phase is resolved by one- on- one unit battles. Combat is initiated when moving military units are moved onto the square occupied by an opposing force's military units and cities, and combat is then resolved with calculating statistics of each unit combined with some random chance. Defeated units are removed from the game (apart from workers and settlers, which are captured by the attacking force), and any attacking units that are able to defeat the last defending military unit on a space will move to occupy that space. About This Game The Flagship Turn-Based Strategy Game Returns Become Ruler of the World by establishing and leading a civilization from the dawn of man into the space. Tribal Wars is a popular mobile and browser game classic with millions of players and a history that spans more than 10 years. Join now to rule your own village! If the space is occupied by a city the player may choose to occupy and capture the city as their own or raze it. Other than combat, military units can also be assigned to fortify a specific space, perform sentry duties, destroy enemy city improvements, or explore the game world. Non- military units include settlers who are used to found cities, workers who are used to improve space and gather resources, spies who can perform counterintelligence and espionage, and religious missionaries who can be sent to convert different civilizations and cities. Throughout the game, players may also generate a special unit called a . Assigning inhabitants of cities to work as 'specialists' (scientists, engineers, artists, spies, merchants or priests), building certain wonders or discovering certain technologies can improve the rate at which Great People are generated. Great Generals are generated when a player's forces achieve a certain number of victories, and can be used either to give a small amount of extra experience to all units trained in a city, or a very high level of experience to one unit. However, like other units, Great People of all kinds can be attacked and killed before the players can use them. The game automatically allocates the spaces a city uses and how its resources are maintained as the city grows, but the player is free to manage the city directly. This feature can be utilized to turn a part of the population into one of several specialized occupations; at the cost of having one less space from the city, these specialists increase gathering and production of the resources of their targeted specializations. If the specialists are assigned to be . The rate of construction is determined by the amount of material collected from the surrounding spaces; players can also choose to speed production by sacrificing gold or population if they adopt the required governmental policy; called civics. The player can instead specialize the city towards gathering a particular resource instead of constructing additional units or buildings. Also, in order to produce some units or buildings, certain resources must be collected somewhere within the empire (examples include horses for mounted units, iron for swords, stone or marble increase production of certain Wonders, etc.). Buildings perform any number of different functions depending on building type; for example, early buildings such as granaries improve food storage to boost the city's growth and barracks produce better military units, while later buildings such as factories can be made to increase general production levels. There also a number of unique buildings throughout the game. Most notably are World Wonders, which can be accessed through research nodes in the technology tree and construction through the worker unit. World Wonders provide advantages that are unique to each civilization, as they are limited to only one or two players. Through buildings and specialists, each city also generates the . When two cities of different civilizations are adjacent to each other, the culture values of each city influences the space they can control; it is even possible that a city close to another civilization's city will join that civilization if their culture is strong enough. The high levels of culture gathering and attainment are also one of the default conditions that can be used to win the game. As with other types of technology trees, technology nodes require the research of other previous technology nodes. The player can also select a future technology and immediately place into the game queue any technology nodes between the current technology level and the specified technology node. Technology can also determine another win condition that the player can decide to utilize as a goal; an endgame technology node is required to develop a colony ship to reach Alpha Centauri. The player has the option of selecting which set of government civics or state religions that the player wants their civilization to follow, but not all civics and religions can be encompassed. Once the player has formally met another civilization, they can perform diplomacy at any time. For example, if the two civilizations are on friendly terms, the player can ask to trade units and/or technology for gold and vice versa, or request opening of national borders in order to freely explore in the other civilization's territories. The player can also use the diplomacy menu to request help in a war against a third civilization, or formally declare war on any civilization in which they engage diplomacy. Religion plays a much more important role in Civilization IV than in the previous installments of the franchise. Impacting many of the game's key mechanics like government civics and diplomatic relations, the game's new religious system, according to Firaxis Games producer Barry Caudill, was added to increase gameplay depth over the entire game. Religions can then be spread actively through the production of missionary units or passively through means such as trade routes. Religions may be spread to domestic and foreign cities and there is no limit to the number of religions that can be present in any single city. The player may only choose one state religion at a time and all seven offer identical advantages (e. Game data and rules are stored in XML files, and a Software Development Kit was released in April 2. AI. The map editor supports Python. The player can modify the map by placing and modifying any number of rivers, landmasses, mountains, resources, units, and cities, as well as their attributes such as Culture generation. The World Builder for Civilization IV is in- game, in contrast to previous Civilization games where the Map Editor was an external application. On September 2. 0, 2. Firaxis Gamessenior producer Barry Caudill stated that . For instance, they can add new unit or building types, change the cost of wonders, or add new civilizations. Players can also change the sounds played at certain times or edit the play list for your soundtrack. The kit allows players to view, modify, or even completely re- write the game's DLLsource code, enabling the modification of the game's AI and other integral parts of the game that were previously not accessible. Extra detail was also borrowed from other ancient sources such as Homer, Ptolemy, and Herodotus. In order to do this, it introduces other features such as plagues and congresses. It is described as spiritual successor to the Civilization 4 mod . With the slogan . STAY AWAY from this game at all costs. Tamil Bible - Free download and software reviews. 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But man started to tire of function alone and evolved to decor, surface effects and inlay techniques, blending industry, art and design; a movement which is making a revival at this current time. Then came a moment of great innovation, aerodynamic design and streamlined form. What followed was a time of space- age shapes and science- fiction volumes: our fascination with form for form’s sake was born. Function became remote and voice- controlled and morphed into virtuality, giving function an ungraspable quality. Thus arrived matter and the development of our fingertips as important consumer tools. Material development became a major focus of the art and design worlds, the concept of second skin was born, forecasting a future of genetic engineering and human cloning. The more virtual life became the more tactile we wished to become. Matter called for colour to make up its mind and express its mood, ultimately making colour the overruling reason to select an outstanding work of design. When design had acquired a sense of function, decor, shape, matter and colour, the insatiable and by now global market, requested more. It needed a code, or a name, or a logo, or all of those, so it invented and perfected the brand: a passport to international shopping pleasure. With this last step, the world could sit back, relax and contemplate a century of learning, accumulating in a completed and perfected design process. Today, we experience a need for reflection and we feel a need to rethink the (non)sense of design. The globalisation of the world as one market has brought about shopping boredom and uniformity with the alternative boutiques gradually disappearing in favour of chain stores, chain couture, chain food – and chain coffee houses. The idea that not only people in Paris, London and New York should live and consume the same, yet that the masses of Mumbai, Shanghai and Dubai will also do so seems stifling and impossible. Global marketing will eventually come to a standstill, making way for outsider brands and Sunday artist creations. The local will feed back to the global and will animate world brands to become passionately interactive and reactive. Introducing local colour and craft along the way. To answer this growing global resistance to constant renewal and limitless expansion, humanity and integrity are requested for the years to come. It is time to empower goods with a new dimension; their own character, an invisible energy locked into the design process. I believe that we will be able to make the object, concept, or service come alive to be our partner, pet or friend, and to relate to us on a direct and day- to- day level. Only when design will be empowered with emotion will we be able to create a new generation of things that will promote and sell themselves; they will have acquired an aura able to seduce even the most hardened consumers on their own terms. Only then will design have acquired soul. Craft holds this promise: the turn of this century has witnessed a return to the arts and crafts movement in a step- by- step repetition of the last turning of the centuries. Haunted by similar fears and interested by a similar vision, designers and artists have once more taken on the handmade and the hand- finished with absolute fervour. The growing influence of an all- encompassing digital fantasy world has triggered an enormous quest for the manual and the tactile, with our fingers deciding through feeling long before our eyes start judging form and volume, and with manually- powered production coming back to the fore. The realisation that we have to stop destroying our planet has made young designers adamant to produce ecologically and locally, thus creating less polluting proposals, reviving natural dyes and returning to timber, fur, hide, textile, ceramic and glass; original arts and crafts materials. In many cases the works come in limited numbers or on commission, and therefore minimise the damage done to the planet. The crafted and handmade cottage industries currently flourishing in many countries are employing regionally and create a small yet reliable local economy. A movement we see blooming, bringing production back to our doorstep once again. Collaborations between designers and craftspeople have opened up new dialogues across borders, often bridging language boundaries with the simplicity of visuals, colours and materials; contemporary designers such as Tord Boontje, Stephen Burks, Fernando & Humberto Campana, Natalie Chanin, Forma Fantasma, Front and Hella Jongerius (amongst many others) are helping to keep artisan techniques alive by designing small- run products that gain a lot of international attention. Taking advantage of the internet and supported by design- savvy distributors such as Afroart, Aid to Artisans, Artecnica, Editions in Craft, Heartwear, Mokeybiz and Zen. Zulu, developing communities have successfully been taught to be more self- sufficient and independent, maintaining their identities while telling their stories to the world market. New computer technologies are also contributing to the craft revival with laser cutting, digital printing and robotics, recreating a space for fantasy and embellishment. With the promise of industrial technologies capable of making one- of- a- kind piece- by- piece productions, the reign of the artisan will be supreme since prototyping will have to be both unique and by hand. Last but not least, this period provides a moment of reflection concerning our planet and its history of slavery and exploitation, and therefore the humanitarian aspect of production is becoming a key question of our times. Can we still accept the enslaving of young workers around the world, women and children included? How is it possible that we can produce a shirt cheaper than a croissant? Somebody must be suffering in this chain of making, selling, reselling and retailing; buying cheap merchandise will become a guilt- ridden activity and therefore will gradually disappear. The world is now focused on the history and identity of merchandise, labelling products as “designed by” as well as “made by”. With a consumer ready to embrace the rare, the unravelled and the irregular in this quest for soul in a product, the arts and crafts movement is back at the forefront of fashion and design. The ritualistic qualities inherent to the making of the craft object or the symbolic quality in the concept of a human service will gradually become more important; in a quest for experience, consumers will want to embrace a spiritual dimension and select merchandise to appease this inner need. Some craft items will become new design collectibles within a matter of decades, and already we see the prices of some textiles, objects and artworks escalating to greater and never- before imagined heights. Using regional roots, local colour and universal references related to earth, animals, gardening and home. Living an unplugged yet wired lifestyle, considering rural romantic sources of inspiration, craft and design will merge to inspire a new more self- conscious and mature consumer to be. A consumer that becomes the curator of his or her own life. L. E. On sunday march 1. Lidewij Edelkoort will be in Dubai for a public seminar on “What Design can do for the Future?”www. Cine. On. Line. Director: Gilberto Mart. Search torrents on dozens of torrent sites and torrent trackers. Unblock torrent sites by proxy. PirateBay proxies, RARBG unblocked and more torrent proxies. 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